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Showing posts with the label LSO

Curveball

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It's Groundhog Day: everyone is dissing the Proms. Every year the same thing happens: the niche interests complain that their particular Thing isn't there, or is not there enough, there aren't ever enough women composers or conductors or musical figureheads of colour, and there'll be a couple of not-strictly-classical concerts to which the reactionaries, er, react. There is a lot of standard fare from decent orchestras, with famous pieces; some see this as padding, others might recognise that tickets have to be sold now and then. Dissing the Proms is a sort of annual tradition, like cheese-racing or dancing round the maypole. We don't wholly interrogate the deeper reasons for why we're doing it, or what the context really is, or what the realities might be of programming a magnificent summer of concerts that truly can please everybody (i.e., there goes another of those flying pigs over Kensington Gardens). The fact is that we simply don't know how lucky we a...

Two hats, one post

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Rattle, milking it. (Photo: LSO) Critic's hat for the day here: I reviewed Simon Rattle, Janine Jansen & the LSO for The Arts Desk last night, but perhaps the most moving thing of all was Rattle's farewell speech for Lennox Mackenzie, who's retiring after an LSO career spanning nearly four decades. Read the whole thing here. Other hat: on Tuesday 25 September Tom and I are giving a concert together in North Yorkshire - at All Saints' Church, Kirby Hill. Tom plays solo Bach, Beethoven and other things. I'm reading some of my prose-poems. The concert is named after one of them, VOLCANIC ASH, and is built around what happened to us when we were trapped by closed air space somewhere you mightn't want to be trapped - with themes including identity, history, trauma and brainwash. Yorkshire friends, if you like the sound of this, do join us. To book, please call 01423 326284 or 01423 323774.

"Hello? LSO here. Can you conduct us today?"

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One conductor's plane delayed in a snowstorm is another's....opportunity. Not that the snow helps. Last Sunday George Jackson was home and looking forward to a well-earned day off when all of a sudden the phone rang. Next thing he knew, he was dealing with a clutch of brand-new scores, cancelled Ubers and a banana case... JD George Jackson faces the music Photo: Brian Hatton BANANA CASE AT THE BARBICAN A guest post by George Jackson Sunday morning.   It’s 6:30, and for some reason, I am wide awake.   I have just spent a week on tour with the Orchestre de Paris, where I have been Daniel Harding’s assistant: Cologne, Dortmund, Luxembourg, and Brussels.   The week before that, my first Schumann Symphony No.4 with the Transylvanian Philharmonic in Cluj; the week before that, the first leg of the OdP tour, at ‘home’ in Paris, and then in Vienna. I was grateful for my first full day off in three weeks: Sunday lunch planned with a couple of schoolmates, followed by the new Rick...