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Angelo Villani: I've got a little Liszt...

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There could be worse inspirations for a pianist than Vladimir Horowitz. As the pianist  Angelo Villani prepares for his first London recital in five years, he's written us a guest post about how the legendary Russian has lit the way to an approach that respects the score and composer while also finding a spontaneity that recreates the music anew in every performance. Do come and hear him play Chopin,  Mozart, Bach and, of course, a little Liszt - actually, quite a lot -  at the Royal Overseas League next week, 5 July . JD Angelo in action Photo: Bronac McNeill Angelo Villani writes: This July will be my first public recital in London for five years, so it’s an understatement to say I am excited. In the past, my repertoire has been principally centred around Liszt, as well as my own transcriptions, but for this next concert, alongside Chopin, I will be playing a smattering of Bach and Mozart for the very first time. My supporters are curious as to how I plan to approach these compo
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"Salome, dear, not in the fridge"

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Allison Cook as Salome, with placcy bag Photo: Catherine Ashmore As I slunk homewards from ENO's opening night, a friend on Twitter kindly sent me the above headline. It's from an anthology of winning entries to competitions in The New Statesman, edited by Arthur Marshall, and cheered me up somewhat. Not that ENO's Salome would have needed to worry, because there wasn't much evidence of a severed head at all: just a placcy bag that for all we know might have contained a large cauliflower. One's cynical side considers it's probably cheaper than constructing a replica head of Jokanaan. I love good reinterpretations of operas. Like science fiction or magical realism (in which I've been learning a thing or two recently), they need to create consistent worlds, to make sense within those worlds and, if stretching disbelief, make us believe one big thing by getting the small things right. The denouement has to be stunning, too, to make everyone feel they have suspe
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Children of the Stars

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"There is no boundary of difference... different skin, different religion, or different culture - we are all children of the stars." Here's a fascinating interview with the Korean composer Unsuk Chin, who has a major European premiere in London next week under the auspices of the Philharmonia Orchestra. She talks about her studies with György Ligeti ("He opened my eyes and my mind"), her compositional processes ("I need 3-4 years to get the idea clear") and the blend of science and art that has gone into this huge new work. She collected 150 poems first and finally selected 12-13 variously about the birth of the universe, humanity and eternity. The resulting different songs/movements span centuries and continents, all of them exploring the idea that we are, essentially and all of us, the substance that comes from a star. Chin says here that she reads about astronomy every day and that it brings her "hope in this world". It's an optimisti
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