Week 9 - Mt Gravatt Results

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Angelo Villani: I've got a little Liszt...

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There could be worse inspirations for a pianist than Vladimir Horowitz. As the pianist  Angelo Villani prepares for his first London recital in five years, he's written us a guest post about how the legendary Russian has lit the way to an approach that respects the score and composer while also finding a spontaneity that recreates the music anew in every performance. Do come and hear him play Chopin,  Mozart, Bach and, of course, a little Liszt - actually, quite a lot -  at the Royal Overseas League next week, 5 July . JD Angelo in action Photo: Bronac McNeill Angelo Villani writes: This July will be my first public recital in London for five years, so it’s an understatement to say I am excited. In the past, my repertoire has been principally centred around Liszt, as well as my own transcriptions, but for this next concert, alongside Chopin, I will be playing a smattering of Bach and Mozart for the very first time. My supporters are curious as to how I plan to approach these compo
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"Salome, dear, not in the fridge"

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Allison Cook as Salome, with placcy bag Photo: Catherine Ashmore As I slunk homewards from ENO's opening night, a friend on Twitter kindly sent me the above headline. It's from an anthology of winning entries to competitions in The New Statesman, edited by Arthur Marshall, and cheered me up somewhat. Not that ENO's Salome would have needed to worry, because there wasn't much evidence of a severed head at all: just a placcy bag that for all we know might have contained a large cauliflower. One's cynical side considers it's probably cheaper than constructing a replica head of Jokanaan. I love good reinterpretations of operas. Like science fiction or magical realism (in which I've been learning a thing or two recently), they need to create consistent worlds, to make sense within those worlds and, if stretching disbelief, make us believe one big thing by getting the small things right. The denouement has to be stunning, too, to make everyone feel they have suspe
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Seeing is Believing: Norman Perryman paints the music

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Last night I was describing the musical work of the painter Norman Perryman to some artistic friends who were young in the 1960s. "That's rock'n'roll!" they declared. It is. And it's also going to rock Symphony Hall Birmingham next Saturday, when Perryman and his projectors join the CBSO and Mirga Gražynitė-Tyla to perform The Sea by the composer and artist Mikolajus  Či urlionis , Lithuania's most celebrated artistic figure, one whose music is hardly ever heard in the UK – though Mirga, herself Lithuanian, is about to change all that.  Či urlionis's  combination of musical and visual artistry makes him the perfect outlet for Perryman, who creates "kinetic painting" live in concert.  Video trailer for Saturday from the CBSO: As I have adored Norman's work for years, yet never before had the chance to see him in action in a top UK concert hall, I thought we should ask him for a guest blog. He has kindly provided one, so here it is. JD SEE
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